Recently a friend introduced me to the work of mixed media collage artist Susan Farrington. The wonderful sense of whimsy and the unfettered, folky quality of her work, while interesting, failed to inspire me. I’m not a particularly whimsical person. Had I begun rummaging the junk drawer for raw materials, I would only have ended up spending an hour sorting junk.
Robot Valentines by Susan Farrington
Her site did pique my interest and, hoping for inspiration more in line with my limited skills, I began a search for other collage artists. I found the lovely work of Catrin Welz-Stein: lovely and digital.
Digital I can do.
Memories 2 by Catrin Welz-Stein
Even limited photoshop skills need tending and I decided to try my hand at digital collage. After scavenging the internet for material I got to work.
As I said, I’m not a whimsical person, a character flaw which stunts my ability to create mood or infuse my art with meaning, but at least I made an effort…
Digital collage by Andrea English (From Joszef Borsos “Lady with a Lace Collar”)
Beyond basic addition, my understanding of math has always been tragically dim and the California public school system was incapable of instilling any interest in mathematics. In high school I became aware of yet another deficiency in my understanding: poetry. Robert Burns’ A Red, Red Rose I understood, but I needed an explanation for Thomas Gray’s, ”Full many a flower is born to blush unseen, And waste its sweetness on the desert air”.
Even now the mention of math or poetry is enough to provoke a petit mal seizure of boredom, so the idea of a book for children combining the two subjects seems almost cruel. However, when I saw Marvelous Math, A Book of Poems at the thrift store, I was compelled to buy it. Why? For the very colorful and charmingly whimsical illustrations by Karen Barbour.
Le Tableau (The Painting) is a French animated film directed by Jean-François Laguionie. I recently had the opportunity to watch it (with flawed subtitles) on Netflix.
The story is well beyond the apparent intellectual capacity of American animation, dealing with topics well beyond the Happily Ever After realm. The Painter (God) has left an unfinished creation, filled with contentious factions: The Allduns who see themselves as The Painter’s favorites because he finished painting them before disappearing from their universe; the Halfies, those nearly completed figures who aren’t good enough to live in the castle; and the Sketchies, a sad little group of colorless, vaguely formed creatures whom the Allduns feel The Painter should have erased rather than leave them to spoil the garden.
The forbidden love affair between Ramo, an Alldun, and Claire, a Halfie, is the catalyst for a journey to find The Painter. The story isn’t nearly as interesting as the painterly images – colors and forms that are engaging and surreal.
The Grand Chandelier and Ramo
Florence and Lola
I found a small, paperback children’s book by Sarah Hines Stephens, Beauty and the Beast and Other Stories, with cover art by Dan Andreasen.
According to his Shannon Associates bio, Andreasen is a bestselling illustrator of more than fifty picture books, as well as the illustrator of American Girl historical characters, Felicity and Samantha. He has also written and illustrated seven books including, The Giant of Seville.
His graphic designs have been used to advertise products including Oscar Mayer, Chef Boyardee, Folgers, Harley Davidson, Orville Redenbacher, Kraft, Marks and Spencer and Marshall Fields.
Cover art by Dan Andreasen
Chef Boyardee illustration by Dan Andreasen
Award-winning American illustrators, Leo and Diane Dillon were an amazing couple. Sadly, Leo past away last year, ending an artistic collaboration spanning over fifty years.
In 1976 and 1977 the Dillons won the Caldecott Medal, a premier honor in U.S. book illustration. They were runner-up for the biennial, international Hans Christian Andersen Award for children’s illustrators in 1978 and nominated again in 1996.
I found a children’s book, The Ring in the Prairie, A Shawnee Legend, and immediately recognized the Dillon’s distinctively beautiful illustration style.
Cover, The Ring in the Prairie: A Shawnee Legend, 1970
The Ring in the Prairie: A Shawnee Legend, 1970
The Ring in the Prairie: A Shawnee Legend, 1970
Today I found astounding artist, Joel Cooper, and his stunning origami masks.
An origami face, created by Joel Cooper, from a single, uncut piece of paper .
As I was wandering the internet looking for inspiration, i.e., killing time, I came across an Australian artist, Deborah Klein, who combines her dual fascination with lepidoptera and the female face to create enigmatic and beautiful images.
This is essay by Inga Walton definitely worth taking a look at: behind beauty’s masks, the works of Deborah Klein
Campylotes Desgonsini, by Deborah Klein